Born: New York, NY.
 
SOLO EXHIBITIONS:
2007:   MCKENZIE FINE ART, New York, NY.
2005: G-MODULE, Paris, France.
2004: MCKENZIE FINE ART, New York, NY.
2001: JAMES GRAHAM & SONS, New York, NY.
2000: HAINES GALLERY (Project Space), San Francisco, CA.
1999: JAMES GRAHAM & SONS, New York, NY. (catalogue)
   
GROUP EXHIBITIONS: (Selected)
2009:

Linear Abstraction, Mckenzie Fine art, New York, NY.
2008: Horror Vacui, Mckenzie Fine art, New York, NY.
Fundamental Abstraction ll: In memory of Kim Wauson, HAINES GALLERY, San Francisco, CA.
g-salon, G-Module Gallerie, Paris, France.
2007: Black & Light, Kleinert/James Arts Center, Woodstock, NY.  Curated by Heather Hutchison.
Current, ROBISCHON GALLERY, Denver, CO.
2006: Flow Miami,  MCKENZIE FINE ART, Miami, FL.
2005: Good Vibrations, MCKENZIE FINE ART, New York, NY.
Linear Geography, BERNARD TOALE GALLERY, Boston, Massachusetts.
Head Over Hand: Pushing the Limits of Paint, DENISE BIBRO FINE ART, New York, NY. [Catalogue].
Curated by Shane McAdams.
Lines & Curves, LIMN GALLERY, San Francisco, CA. Curated by Christine Duval.
FIAC, G-MODULE, Paris, France.
Art Brussels, G-MODULE, Brussels, Belgium.
2004: Moving Outlines, THE CONTEMPORARY MUSEUM, Baltimore, Maryland.
David Mann & Maureen McQuillan, MUSEUM OF OUTDOOR ARTS, Englewood, CO.
Espacio Negativo Terrano Nyorguino, GALERÍA NACIONAL, San José, Costa Rica. [Catalogue]
Curated by Pamela Lawton.
Art Rotterdam2004, G-MODULE, Wilhelminakade, Rotterdam, Netherlands.
2003: Line Dancing, ISLIP ART MUSEUM, East Islip, NY. (Catalogue) Curated by Karen Shaw.
Stroke, SCHROEDER ROMERO, Brooklyn, NY.
Art Rotterdam2004, G-MODULE, Wilhelminakade, Rotterdam, Netherlands.
2002: Tilt, CHRISTINEROSE GALLERY, New York, NY.
About Paper, KRISTEN FREDERICKSON CONTEMPORARY ART, New York, NY. (Brochure)
Waves, THE WORK SPACE, New York, NY. Curated by Lesley Heller.
25th Anniversary Selections Exhibition, THE DRAWING CENTER, New York, NY.
2001: Hydro, MARCEL SITCOSKE GALLERY, San Francisco, CA. Curated by Erin Parish.
Drawing (Selected), G-MODULE, Paris, France.
Small Works, LINDA SCHWARTZ GALLERY, Cincinnati, OH.
2000: Blurry Lines, JOHN MICHAEL KOHLER ARTS CENTER, Sheboygan, WI. Curated by Andrea Inselmann.
Another Story Altogether, THE COLLEGE OF NEW ROCHELLE, NY. (Brochure).
Curated by Katherine Gass & Wennie Huang.
Drawing, PERCY MILLER GALLERY, London, England.
Fluid Flow, JAMES GRAHAM & SONS, New York, NY. Curated by Valerie McKenzie.
Art 2000 Contemporary Art Fair, PERCY MILLER GALLERY, London, England.
Drawing, TRANS HUDSON GALLERY, New York, NY. Curated by Joseph Szoecs.
Live from New York, HAINES GALLERY, San Francisco, CA. Curated by Kim Wauson.
1999: Pattern, JAMES GRAHAM & SONS, New York, NY. Curated by Valerie McKenzie.
Drawing, MARGARET THATCHER PROJECTS, New York, NY.
Xmas, KENT GALLERY, New York, NY. Curated by The Department.
Cremolata Flotage, STATEN ISLAND FERRY, New York, NY. Curated by Sue Spaid.
1998: Selections Fall ‘98, THE DRAWING CENTER, New York, NY. (Brochure)
1997: Sweet and Low, SHERRY FRUMKIN GALLERY, Santa Monica, CA.
Better Color through Chemistry, ISLIP ART MUSEUM, East Islip, NY. (Catalogue). Curated by Karen Shaw.
The Whole World in a Small Painting, TRANS HUDSON GALLERY, New York, NY. Curated by Joseph Szoecs.
White Out, THE WORK SPACE, New York, NY. (brochure) Curated by Theresa Hackett.
1996: GALLERY 7, Hong Kong. (catalogue)
Black White & Blue, 450 BROADWAY GALLERY, New York, NY. Curated by Theresa Chong.
1992: Travel & Leisure, FOUR WALLS, Brooklyn, NY.
1990: Alumni Exhibition, NEW YORK STUDIO SCHOOL, New York, NY.
   
EDUCATION: Columbia University, New York, NY, B.A. English, 1985.
New York Studio School of Drawing, Painting & Sculpture, New York, NY, 1985-1988.
   
PUBLIC COLLECTIONS:

Cantor Fitzgerald, New York
The Contemporary Museum of Art & Design, San Jose, Costa Rica
Estée Lauder, New York
Goldman, Sachs & Co., New York
Heller Ehrman, San Francisco
The Jackson Laboratory, Maine
Millennium Partners Contemporary Collection, New York
National Gallery, Costa Rica
Nine-Zero Hotel, Boston
Pfizer, Inc., New York
Sprint Nextel Art Collection, Overland Park, KS
   
RESIDENCIES: 2007 The Carriage House, The Islip Art Museum, East Islip, NY.
1992 Artist's Residency, MILLAY COLONY FOR THE ARTS, Austerlitz, NY.
   
CURATORIAL: 1999 Phenotypology, HALLWALLS CONTEMPORARY ARTS CENTER, Buffalo, New York.
   
BIBLIOGRAPHY:

(Selected)

Baker, Kenneth. “Wauson Remembered at Haines,” San Francisco Chronicle, July 5, 2008, p. (reproduction).
Smart, Paul.  “Talk About Culture: Chiaroscuro at Kleinart/James,” Woodstock Times, June 28, 2007, pp 32-33  (reproduction).
Voelz Chandler, Mary. “Creating a Flow,” Rocky Mountain News, March 30, 2007.
Artworld Digest, “Seed,” Spring 2007 Issue, pp. 7, 19 (reproduction).
Quirós, Luis Fernando.  “Espacio Negativo/ Terreno Nyorquino: Una linea de lectura,” Dardo, Issue 003, March 2007  (reproduction).
McAdams, Shane.  “Talking Shop with McKenzie Fine Art,” Chelsea Now, Volume 1, Issue 10, December 1-7, 2006, p. 20.
Baker, Kenneth.  “Lovely lines draw the eye at Limn Gallery,” San Francisco Chronicle, July 9, 2005, p. E10  (reproduction).
D’Architectures, Nž 145, April 2005, Guide pp 42-43.
McQuaid, Kate. “Exhibit tracks the trend of mapping out truth and beauty,” The Boston Globe,
January 21, 2005, p C18. (reproduction).
Ellingboe, Sonya. “New York City artists’ work complements dance,” Englewood Herald, October 22, 2004.
Herrera, Sofía. “Curando el pasado,” La Republica, October 11, 2004, p 30.
Shapiro, David. Catalogue essay for Espacio Negativo Terrano Nyorguino, October, 2004.
McCabe, Bret. “Moving Outlines,” Baltimore City Paper, March 24, 2004.
Harrison, Helen. “When the Line Itself Is the Main Attraction,” The New York Times, May 11, 2003.
Greben, Deidre. “An Exercise in Reading Between the Lines,” Newsday, April 25, 2003.
Shaw, Karen. Catalog essay, “Line Dancing,” April, 2003.
Aukeman, Anastasia. “About Paper,”Art on Paper, December 2002, pp. 61-62 (reproduction).
Danto, Ginger. “About Paper,” ARTnews, December 2002, p. 120.
Calvert, Katherine. “Doing Up the Mount,” Victoria, November 2002, p 54 (color reproduction).
Frederickson, Kristen. About Paper brochure , September, 2002 (color reproduction).
Tabios, Eileen. My Romance, Giraffe Books, 2001, p 49 (reproduction).
Afable, Jade. “Hydro at Marcel Sitcoske Gallery, San Francisco,” Reviewwest.com. January, 2001.
Tabios, Eileen. “Hydro at Marcel Sitcoske Gallery, San Francisco,” Reviewny.com. December 15, 2000.
Lombardi, Dominick. “Abstracting the Meaning: Looking at the World and Reflecting It Back in a New Way,”
The New York Times, September 24, 2000.
Gass, Katherine. Another Story Altogether: Abstraction in Painting Today brochure, September, 2000 (color reproduction).
Bonetti, David. “Gallery Watch: Driven to Dynamic Abstraction,” San Francisco Examiner, January 28, 2000.
Hunt, David. Time Out New York, Reviews, “In Tense” at Videoland, Nov. 4-11, 1999 (color reproduction).
Laster, Paul. Artnet.com Magazine, “Brooklyn Spice,” October, 1999.
Everett, Deborah. NY Arts Magazine Vol. 4, No. 7, “Pattern,” July/August, 1999.
Huntington, Richard. “Exploring the Sights Created in Science” Buffalo News, May 16, 1999. [Phenotypology]
Tabios, Eileen. Ecstatic Mutations, Giraffe Books, 1999. (color reproduction)
Freedman, Matt. Catalogue essay for Maureen McQuillan: Drawings at James Graham & Sons, May, 1999.
Everett, Deborah. NY Arts Magazine, “The Drawing Center - Selections Fall ‘98,” October, 1998.
Harrison, Helen A. “Studies in Tone on Tone,” The New York Times, August 31, 1997.